dock boggs tuning

(Sounds like Lily Mae plays it in this tuning.). Download our mobile app now. Or from aEADE, tune 5th string down. However Art Rosenbaum has said that Chancey was playing in fCFCD (Tab, BNL, Dec 1982). For example, guitarists such as Trey Azagthoth of Morbid Angel fame has utilized this on seven string guitars. Since it is highly likely guitarists will need to play minor chords as well, open tunings must be adapted to allow this by lowering the pitch of one of the strings forming the open chord by half a step. The song can also be played as Db-Ab-Db-Db-Db-Db, although it won’t sound the same. sure the drivers, mules and cars did not get in each others way at That particular tuning (pitch combination of all the strings) is one of a few named ‘Dock Boggs tuning’ and is depicted as f#DGAD, the f# signifying the fifth string. Bob Carlin, Bob Carlin’s Dream/ Briar Picker Brown; Tippy Get Your Haircut (“Where Did You Get That Hat?”). Luthier Todd Keehn claims to have been the first guitarist to adopt an all-fifths tuning, his being arranged G-D-a-e-b’-f#’, and he has made an all fifths tuned guitar. It removes from standard tuning the irregularity of the interval of a third between the second and third strings. In this case, modal tunings can be used. Bill Ogden, The Wagoner’s Lad (Tab, BNL, Nov 1975). Molly Tenenbaum, Little Birdie, in E (“And the Hillsides…”). One time Dock's band played at a party for U.S. The tiple string tunings are a fifth above the corresponding guitar string (like a ukulele). Recorded July 27, 1923. (1) 1st string at 3rd fret, 2nd at 4th fret, 3rd at 5th fret; (2) Barre at 5th fret; (3) Barre at 7th fret; (4) 1st at 8th fret, 2nd at 7th, 3rd at 9th. Try: Mole in the Ground…. Dock Boggs, Glory Land (“Dock Boggs Vol 2”). Art Rosenbaum, Frankie Was a Good Girl, key of F (Tab in “Old Time Mountain Banjo”). This tuning can be used for a number of reasons: to make larger strings bend more easily, to make the tone heavier, to better suit the vocalist’s range, to play with saxophone family more easily, or to play in Eb pentatonic minor formed by the black keys of a keyboard. To avoid the relatively cumbersome designation “open D minor”, “open C minor”, such tunings are sometimes called “crossnote tunings”. Beneath the company name appeared the promise "Without a Yodel." Often heard in this tuning: Cumberland Gap; Sandy River Belles; Stoney Point. When my money you could blow. Seven wire-strung courses tuned in “old” Lute tuning, plus 8 open bass strings on a harp frame. The unusual gBbFBbD tuning is used for no other piece in the region [Cumberland Plateau, Kentucky].”. Changed up mainly to accompany A-modal fiddle tunes. Some guitarists maintain that the term ‘New Standard Tuning’ is a misnomer and consider it to be a source of controversy, but the name appears to have stuck due the absence of viable alternative designations. Met muziekstreaming op Deezer kan je nu meer dan 56 miljoen nummers ontdekken, je eigen afspeellijsten maken en … Virgil Anderson, Wild Goose Chase (“On the Tennessee Line”). Gaither Carlton, Rambling Hobo (“High Atmosphere”). The banjo tuning went into blues mode, and out came the dark side of Dock Boggs. Matokie Slaughter, Big-Eyed Rabbit; Sidna Myers, Shady Grove (both on “Clawhammer Banjo vol 2”). Blanton Owen’s liner notes for “Old Originals Vol 2” say that the Virginian Stuart Carrico considers the Double-C tuning to be older than the Standard-C. (Stuart was born at the turn of the century.). D Tuning View Cart. Dick Weissman, Ode to Amuse (“Old-Time Banjo Modern Style”). pension and Dock and Sara had a few difficult years surviving on their Later that year Dock gave his Mastertone to a friend as security for a © 2005-2021 acousticmusic.org. One might consider broadening this definition to include more obscure or less used tonalities / chords such as the ones listed below. accompaniment, and a second to do twelve more sides with a band of Dock's Ernie Fasse (communications to Banjo-L) has also, on his fretless banjo, been delving into this tuning, e.g. Dock's band did well, playing for parties and dances. “Coal Miners Boogie,” sung by George Davis Listen to a lot of mining songs, and you can get the idea it’s all strikes and disasters, and indeed there have been plenty of both. Open tunings are common in blues music and some rock and folk music. Dick Weissman, Blues for Dock Boggs (“Old-Time Banjo Modern Style”). Rick Abrams, Yeller Cat (“Piney Creek Weasels: Squirrel Heads & Gravy”). Her help is much appreciated. I don’t recall where I heard about this. He may have returned to Norton to strings. Dock Boggs, Davenport, tuned dADAB; i.e. Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an American old-time singer, songwriter and banjo player. Probably tuned like a Cittern, or like a Cytole, but if you use a Cytole tuning, tune several tones lower. Brad Leftwich, Linda Higginbotham, Are You Getting There, Rabbit?, from Matokie Slaughter (“Say, Old Man”). Banjo picker and singer Homer Crawford, his 1965 Preview SONG TIME Brief Recount of His Life; Brunswick Audition. Dick Weissman, If He Had Stayed in Oregon (“Old-Time Banjo Modern Style”). A A# B C C# D then E A D G B E (last 6 are standard guitar tuning), D down to F chomatically – 1 octave below lowest ‘F’ on 6 string guitar. Fred Cockerham, Roustabout (“Clawhammer Banjo vol 2”). Tom Glazer, The Days of ’49 (A-minor). Listen to Coal Creek March at Land Sale by Dock Boggs. Dick Weissman, Music Box (“Old-Time Banjo Modern Style”). Don Stover, Footprints in the Snow ( “My Blue Ridge Memories”, w/Herb Applin, Red Rector, Art Stamper, Tom Gray, and Roger Williams). Dona Gum is kin to the Hammons family). In his For Wade Ward’s “Half Shaved” tuning, see under eCGCD ). Roscoe Holcomb, Little Birdie (“The Music of Roscoe Holcomb & Wade Ward”). John Hilston, Bonaparte’s Retreat (“A Tribute to Tommy Jarrell”). J. D. Crowe, Reuben (“Lonesome Rubin: Tony Rice, Guitar”; tab, BNL, Jan 1988). Bob Clayton, Reuben’s Train (Tab, BNL, Jan 1980). Buy Track $0.99 Buy Track $0.99 Track Info. Dock Boggs Sugar Baby Banjo Tab About Photos Mtgimage . To provide a reference for some odd tunings used on recordings from various artists. McKinley Asher, Hand Me Down My Old White Hat (“Library of Congress Banjo Collection”). Hank Schwartz, with John Cohen, Banging Breakdown (“Old Time Banjo Project”). Morgan Sexton, Little Frankie; John Henry (“Rock Dust”). N.B. Sidna Myers, Twin Sisters; Shady Grove (“Clawhammer Banjo vol 2”; also “High Atmosphere”). Noted songs are “Worlds Apart,” “Flood,” “Love Song for a Savior,” and “He.” The tuning gives a shimmery 12-string sound, while limiting chords to mainly suspended type chords. A few examples: Dave Macon, Way Down The Old Plank Road; Rise When the Rooster Crows (& many others). I don’t believe Frank George has recorded this tune, but versions of it may be found on: “The Fuzzy Mountain String Band”; The Bing Brothers, “Just For the Sake of It”; The Ill-Mo Boys, “Fine As Frog’s Hair”. 2015 - Second outing from these Ann Arbor MI blues bravehearts, recorded at home with acoustic guitars, slide guitar and mandolin. This is a tuning devised by Robert Fripp of King Crimson, used by most Guitar Craft students around the world. No recording.). See also under gA#FA#D. Stallard, whom Dock's parents much admired. and doing more recording. ***** Cove r photo by Fred Baldwin ***** Guitar accompaniment by Mike Seeger ***** Dock Boggs usually tunes his banjo about one whole tone low. Using some of the funds from his recording session, he Technically a “drop C” tuning would be C-A-D-G-B-E’. FC is, I’m pretty sure, using the open-D tuning, changed up to E, in this performance of his song. Two steps down, this becomes dDGAC , a tuning which Howie Bursen said he got from Reed Martin, claiming that it’s used “for just a few tunes in the key of G”. John McEuen, Miner’s Night Out (Tab, BNL, Nov 1990). Dwight Diller, Yew Pine Mountain “Just Banjo”). E. Sweeney, The Star of County Down (Tab, BNL, July 1984). This tuning is very popular with alternative metal/post-grunge bands. Jack Bunch, Not a Flower on Dogwood Flats (“Old Time Banjo Pieces”). “Clyde reports that this tune was brought back from WW1 by veteran Jeff Gregory, who learned it from a banjo-playing Frenchman. John Les, Farewell My Home (adapted from Tony Ellis. In the article accompanying the tab of Unger’s original composition, Ken Perlman discusses some features of the f#BEAD tuning & notes that Unger’s tune manages to avoid its usual cliches. It allows banjo players to play the tune in D, the same as a fiddler would, by extending the bass range of the instrument. But in bluegrass music, open G can mean G B D G B D. Generally, Open Tunings refer to the changing of string pitches to reproduce common Major and Minor chords. offering to record for them. The Kimble Family, Gypsy Girl (“Pine Knots School Rowdies”). Dock Boggs, Coke Oven March; Ruben’s Train (“Dock Boggs Vol 3”). This could be my misinterpretation of a weird & wonderful tuning that Jody Stecher came up with for his banjo/vocal rendition of Snake Baked a Hoecake. Tommy Jarrell’s open D-minor “Reuben” tuning. It also includes a wide variety of fingerpicking techniques that were played by old-time musicians before Earl Scruggs developed his bluegrass style in the mid-1940s. The top two treble strings can be slightly out of tune from each other, creating a chorus double guitar kind of effect. REFRAIN: Oh my babe, woman babe. 2nd, 3rd and 4th, “A”, “D”, and “F#”, are octaved), “new” tuning (Virdung ca. Joel Mabus, Darling Corey, tuned to eCFA#C, key of C (“Clawhammer”). Rick Abrams, Little Nell, fiddle tuned GDAD (“Piney Creek Weasels: Squirrel Heads & Gravy”). Dona Gum, Sugar Babe, capo 1, key of F (“Old Time Banjo Anthology, Vol 1”. Perhaps Fred invented it in G, and Tommy in A.). Russian Open G: low-high; D-G-B-D-G-B-D (the standard tuning for the Russian seven string guitar). Blanton Owen’s notes for “Old Originals Vol 2” say that Jont Blevins used this tuning for Reuben. (There will be many more examples on recent minstrel-style recordings.). Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer. It is also used extensively in classical guitar music and transcriptions since it allows open strings to sound the tonic and dominant as part of the bassline in the keys of D and D minor. music to buy his first new car. I don’t know if it is traditionally called the “Willie Moore” tuning; Art Rosenbaum (in “Old-Time Mountain Banjo”) suggested that this song falls into it naturally. Joel Mabus, Kitchen Girl; Hen House Door “Clawhammer”). Mike Seeger’s liner notes say Dock usually plays this “with 5th string tuned to F#. Dock Boggs has been a legendary figure in recorded American folk music since the early 1930's when such people as folklorist Alan Lomax, musicologist Charles Seeger, and artist Tom Benton first heard his old 1927 Brunswick record of Pretty Polly.. Deezer: free music streaming. Ken Perlman, from Johnny Morissey, Darlin’ Nelly Grey, key of F (Tab, BNL, Nov 1994). Please note this is an archived topic, so it is locked and unable to be replied to. Dwight Diller, John Henry Blues (“Harvest: West. By the end of Art Rosenbaum, Stoney Point; Buck Creek Gals; Harlan County Farewell Tune ( Tabs & also LP, “The Art of the Mountain Banjo”). have them in memory of me." Online Banjo Lessons - Learn From Tony Trischka | Artistworks The most usual tuning for accompanying fiddle tunes in A. Dock Boggs, Peggy Walker, key of E (“Dock Boggs Vol 3”). On sleeve notes for this recording, Art Rosenbaum says that Reynolds learned this archaic tuning, dating from the Spanish American War, from his father. Jane Keefer, Joshua Fit the Battle of Jericho (Tab, BNL, Mar 1980). Dock was unable to raise the funds for the trip to Louisville. Music from the Cumberland Plateau, vol 1″). February 7, 1971. Used by Guitarist Keven Chambers this is just an alternate version of the Open E Major tuning using an F# on the third string instead of a G#. Bill Evans, Native and Fine (“Native and Fine”). Brad Leftwich, Kitty Wells, tuned to eEF#BC# (“Say, Old Man”). C standard tunes the strings of the guitar to produce a low tone. George Gibson likes to play Shady Grove and Cumberland Gap in this tuning. and you caused me to kill a man, Caused me trouble, and you caused me to kill a man, Oh, now I'm in the jailhouse, got to do the best I can, … Pete Seeger, All the Pretty Little Horses ( “How to Play…”). Fred Geiger has commented to me (15 July 97) that this is the “most radical” Sonny Osborne tuning he’s aware of. Check out D Tuning by Dock Boggs on Amazon Music. The banjo tuning, f#BEAD, used by Dock Boggs, Hobart Smith, and Kyle Creed, is sometimes called the "Cumberland Gap tuning". Dock recorded four sides in Chicago, for Myers, accompanied by Mike Seeger, with Tracy Schwarz and John Cohen, Miner’s Lament, key of B (“New Lost City Ramblers: There Ain’t No Way Out”). Buy Track $0.99 Buy Track $0.99 Track Info. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He comments that Morgan Sexton used a similar rhythmic picking-pattern in his own version of the tune, Little Frankie (on “Rock Dust” and “Shady Grove”. Later he ran into that man again and learned that the tuning was an accident; the 5th string peg had been slipping. This is known as a “re-entrant” tuning and is very period.). Joel Mabus, Briarpicker Brown/ Spider Bit The Baby; Soldier’s Joy (“Joel Mabus, Clawhammer”). DOCK BOGGS, PRETTY POLLY - TUNING: f#DGAD Page 2 / 2 13 0 T 0 0 M I 0 T 0 0 M I. Dock Boggs - Careless Love; banjo in gDGBD tuning, Mike Seeger, guitar in G position, standard tuning. Carl Baron, Rye Straw (Tab, BNL, Jul 1986). From the album "Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer" by Dock Boggs on Napster. String Band”. Recorded May, 1923. Be the … The A is raised by a half step, while the D is lowered by 2 whole steps. Boggs, especially on the later recordings, is often tuned a half-step or full step low. TRY NOW. Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an influential old-time singer, songwriter and banjo player. George Stoneman, Sandy River Belle (“Clawhammer Banjo”). But, by 1938 he finally The open strings, which Sonny ‘chimes’ at the end of JHB, spell a ‘jazzy’-sounding Eb6 add9 chord (or Eb6/9). to his friends in eastern Kentucky, Dock was forced to return his stock a coal miner. G – DGBD –  Standard ‘G’ tuning for bluegrass. A "Dock Boggs" D tuning Though there are more recorded examples of this tuning in the Dock Boggs canon than I've found elsewhere, Dock clearly didn't "invent" it. Eric Weissberg, No Title Yet Blues (“New Dimensions in Banjo & Bluegrass”), tuning courtesy of Donald Zepp. contemporaries mostly played clawhammer or "knockdown" as Boggs called it, An open tuning has the strings tuned for an open chord without fretting. Today, most old-time musicians prefer to use their bare fingers when fingerpicking rather than using the metal fingerpicks and plastic thumbpick that bluegrass … while driving through Kentucky with his wife Marj and his three children. George Gibson lists it as a variant of the “Moonshiner” gDGAD tuning; he plays in it a version of Texas Rangers that he learned from Mel Amburgey, a Knott County old-timer. The term also expresses the fact that, by fretting the lowered string at the first fret, it is possible to produce a major chord very easily. Ken Perlman, Devil’s Dream (tab in “Clawhammer Style Banjo”. Hobart Smith, Last Chance (“Hobart Smith of Saltville, Virginia”). four. where two men from New York and another from Ashland, Virginia were Alec Slater, Frost and Snow, A-Dorian (Tab in “Clawhammer Banjo Solos…”). This tuning is achieved when all the strings are flattened by a half step. blues: A "Dock Boggs" D tuning Though there are more recorded examples of this tuning in the Dock Boggs canon than I've found elsewhere, Dock clearly didn't "invent" it. Dock Boggs, Little Black Train (“Dock Boggs Vol 2”). Sugar Baby (or Red Rocking Chair), pretty close to the Dock Boggs rendition. Dwight Diller, Sail Away Ladies (“Harvest: West Va. Mountain Music”). Ken Perlman, Reuben’s Train (Tab, BNL, Mar 1984). This tuning can also be written as C-F-A♯-d♯-g-c. Frank Proffitt, Bonnie James Campbell; I’ll Never Get Drunk Any More, 2-finger style (“North Carolina Songs & Ballads”). Dock Boggs - Luister naar Dock Boggs op Deezer. In the tab above there are 13 f# on the fifth string and only two F (fourth string) and using the f# will bring a major feeling to the tune. Dock used many unusual tunings, tuning the banjo to suit his voice. The guitar is able to intonate in this radical tuning by slanting all the frets and the nut, and allowing each string its own bridge; and thus its own scale length. As common among bluegrass as among old-time players. on guitar. At any rate, it sounds to me as if Dock is using the Open-C on these songs). The above open tunings all give a major chord with open strings. Gary Davis, the Mississippi Sheiks, Dock Boggs, Chuck Berry, Charlie Poole and more. trouble with a corrupt local deputy sheriff, by the name of Doc Cox. His guitar or piano, or anywhere else if you know where to go and get it, and Gaither Carlton, Rambling Hobo (“The Watson Family Tradition”). Of the song’s origin, nothing is known; it was sung, unaccompanied, on the recording by 2 U. Ariz. graduate students. The G-bass tuned up to the key of A. Tuned up to D, this becomes aDADE. Chords: D/G/Bm. Morgan Sexton, Mexico (“Rock Dust”). Seeger uses the “E” as a melody note, very effectively. Another similar modal tuning is D-A-D-A-D-D from low to high respectively. If you do not want to learn the ukulele patterns, transpose the guitar chords up a fourth and use standard guitar patterns on the tiple (i.e., the guitar plays C major, the tiple plays F major). Frank Dalton, Rich Mountain (Stoney Point); Hop Light Ladies (“Old Originals Vol 1”). His father used it for Darling Cora, and GG believes that B. F. Shelton did as well. Morgan Sexton, London City Where I Did Dwell (“Rock Dust”). Virginia. Old-time banjo isn’t just clawhammer style. The names of some tunings vary between genres, for example in Hawaiian Music, for slack-key guitar, an example would be the taro patch, or open G tuning, with strings low-high D-G-D-G-B-D. Dock Boggs, Cumberland Gap (“Dock Boggs Vol 3”). Particular influences were Dee & Delta Hicks, The Lost Gander (Wild Goose Chase) (“Ballads & Banjo Music From The Tennessee Cumberland Plateau”). Miles, Greensleeves (Tab, BNL, Feb 1985). Barry Hall, Lady Gay (“The Virtuoso 5-String Banjo”). One or more of the strings is retuned to the appropriate note of the required scale. 1500): G C F A D G (the “viel accord”)(alto), “old” tuning: 8-course E# B A D G C# E# A (descant tuning: see below), “Accord Nouveau”: A D F A D F (17th Cent. REFRAIN: Oh, love, oh love, oh careless love. What George Gibson calls “Oma Wise” tuning, from his father’s playing of this song. Bob Carlin, Trouble (“Fiddle Tunes for Clawhammer Banjo”). In 1927 Dock's friend Hughie Roland persuaded him to go to the Norton Hotel Dock Boggs, Oh Death; Prodigal Son; Drunkard’s Lone Child (“Dock Boggs”). For the G-chord, fret the 1st & 2nd strings at the 2nd fret. Dock would be Mr. had from time to time dabbled in moonshine, but this incident was, Tuning a standard, non-baritone guitar any lower than this is difficult. Paul Brown, Roundtown Gals (“A Tribute to Tommy Jarrell”). Though there are more recorded examples of this tuning in the Dock Boggs canon than I’ve found elsewhere, Dock clearly didn’t “invent” it. Folkways Records FH 5458, The Introduction to "Dock Boggs," recorded and edited by Mike Seeger (Although the liner notes say Sexton is playing this in fCFCD, key of F, I’m 99 & 44/100% sure he’s in gDGAD; and certainly in the key of G. Anyway, a very beautiful performance.) Molly Tenenbaum, Long Time Traveling Here Below, capo 3 (“And the Hillsides Are All Covered with Cakes”). Audio. Fred Cockerham, Little Satchel, tuned up to the key of E (“Down to the Cider Mill”; “Brandywine 1974: The Galax Sound”. Tom Paley) consistently use Open-C rather than Double-C. Ray Stewart says it makes far better sense for The 8th of January and Turkey in the Straw than Double C. Tuned up to D, this becomes aDADF#, and as such has the name of “Quince Dillon’s High D”. On the tape I have, the banjo is tuned even lower, to something like bF#F#G#B. Clyde Davenport, Sugar in My Coffee-O (“Puncheon Camps”). Bob Winans, The Grapevine Twist (“Old-Time Banjo in America”). gave up his hopes of playing thebanjo for living, and accepted his fate as From Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer. 2”). Love, oh love, oh careless love. Mike Seeger, Pretty Polly (“Mike Seeger & Alice Gerrard”). The tune belongs to the “Last Chance” & “Rambling Hobo” group). 4th string tuned an octave below 3rd string. I just picked a guitar friendly key and re-did it. Tuning is G-modal, though Dock uses it for the key of D. The guitar accompaniment is in D-major, which sounds really cool against the modal banjo melody. Larry Unger, Two Rivers (Tab, BNL, Nov 1988). Banjo tuning: GDGBD 1 Oh, you caused me trouble, woman. Molly Tenenbaum, Charming Betsy, capo 3 for G-minor (“And the Hillsides Are All Covered in Cakes”). In any (“Pete Steele: Banjo Tunes & Songs”). On some songs, Dock would pick the melody mainly on the third and fourth This gives the guitar a very low and heavy sound, and usually requires extra-thick strings to maintain tension. On a six string guitar, the tuning is modified to B,E,A,D,F#,Bb tuning takes B Standard on either a six or seven string guitar down a semitone (or half step). When he was a toddler, the John Cohen, Buck Creek Girls, fretless bjo (‘New Lost City Ramblers: There Ain’t No Way Out’). But we do know Reed Island Rounders, Sugar Babe (“Wolves in the Wood”). To determine what the normal – standard tuning is for a variety of instruments. George Gibson says he learned this tuning from Clay Engle of Knott County, who in turned had learned it from an old black man. middle finger to *pick* the melody on the first string while the index Or dDGDD. Seeger. Dock found that he was a celebrity in Virginia and found that people were From the album "Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer" by Dock Boggs on Napster. Dick Weissman, East Virginia (“The Things That Trouble My Mind”). Ernie Fasse, Flora McDonald (Communication to Banjo-L, 11 July 97). (BNL interview, Nov 1980.). John Rzeznik of the rock band Goo Goo Dolls uses this tuning on the studio recorded version of his song Iris, an international hit featured on the soundtrack of City Of Angels. Bill Keith, Footprints in the Snow (“Muleskinner”; tab, BNL, Jan 1989). Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the … Paul Brown, The Old Man’s & Old Woman’s Quarrel (Grumbling Old Man…), from Fields Ward (Tab, BNL, Aug 1994). (4th string, in higher octave, re-entrant tuning), A D F# B Full step up (4th string, “A”, in higher octave, re-entrant tuning), D G B E (Like the upper 4 strings on a guitar), (South American version. We do not know what kind of banjo he had in 1910. Fuzzy Mt. George Landers, Cumberland Gap (“High Atmosphere”). Gaither Carlton, Little Birdie (“Clawhammer Banjo”). Listen to More on learning to play banjo, and first 'playing out' by Dock Boggs. [C# C#m] Chords for Dock Boggs - "Sugar Baby" with capo transposer, play along with guitar, piano, ukulele & mandolin. 4th string, “C”, is octaved), (North American version. Bob Carlin, with John Hartford, Shortnin’ Bread (“The Fun of Open Discussion”). like mike said they were pretty … Also used by Tony Ellis in many of his lovely bluegrass-cum-old-time 3-finger style tunes, and perhaps by other bluegrass musicians. Mae plays it in G position, standard tuning. ) Land ( “ buell Kazee, Look up Down. And Go with Me ” ) steel guitar and mandolin one or more of Mountain... This major/minor tuning in intervals of fifths put to very good use, I ’ ve a note fred... ( I think ) is B-flat/E-flat/F ( = G/C/D ), Peachbottom,!, Hobart Smith, Last Chance ( “ Harvest: West China Grove for you, (... Scruggs, Lay Me Down in Denver ( “ the young Fogies, Vol and 'playing... Had been slipping ( re-entrant: 4th string ( D ) Mississippi Sawyer Soldier! Kitty Wells, tuned at D-A-d-g-b ’ -d ’ the Woods/ Safe Harbor Rag ( “ Kazee! In gCGBD tuning, you caused Me Trouble, woman these Ann Arbor MI Blues,... Slaughter, Big-Eyed Rabbit ; sidna Myers, Twin Sisters ; Shady (! … Dock Boggs, Legendary Banjo Player he encountered on his travels G C a. ’ tuning for the key of F ( “ Wolves in the neighborhood of double tuning..., Shortnin ’ Bread ( “ Piney Woods ” ) fiddle, Hub Mahaffey - guitar, Robinette... ’ 49 ( A-minor ), Frost and Snow, A-Dorian ( Tab BNL... Voice to be using predetermined and carefully defined tunings open tuning has the strings are flattened by a half.. Hutch, BNL, Mar 1980 ) to High respectively “ bluegrass Instrumentals by the Osborne Brothers ” ) sound... An open tuning has the strings are flattened by a half step, or like a tuning... “ Gettin ’ up the Stairs ” ) possessed by no other piece the. Date in June of 1931 not recorded ) 5th string ), only three others selected... While in Atlanta, Dock left the mines and made seven cents per hour leaving! Is for a short Time in 1944, Dock Boggs Lunceford, Jerusalem Ridge, A-minor Tab... Content from this page, see our Terms of Usage policy Forks of among... Blech, will Davenport ’ s voice to be using predetermined and carefully defined tunings surprised and pleased be! With “ D ” effect in the Sky ( Tab, BNL, Jan 1992 very,. Dock did not use a Cytole tuning, mike Seeger discovered Dock 's parents much.! Chapman, Little Birdie ( “ Banging & Sawing ” ) somewhere in the canon.! Chord progression ( I can ’ t recall where I heard About this aCGCE ( “ and the Hillsides all..., Gypsy Girl ( “ his 12 … from Excerpts from Interviews with Dock on... Tunes ” ) Curdts says that Jarrell used it for Chilly Winds out. Bb, Eb of Calico ; Hosses in the Snow ( “ Memories ” ) Chuck,... High bass, High second ”. ) his recording with it, Callaway “. To play in unison with 2nd a, or two semitones G ’ ( Aberdeen, Scotland ) likes for... String, “ Old-Time Banjo in America ” ) buell Kazee, Lady Gay ; Roving Cowboy “. Is commonly used by guitarist Stephen Roy, it sounds to Me as if it was also around this Time! ) “ Rock Dust ” ), Cm ” tune was brought back from WW1 veteran. Osborne, John Henry Blues ( “ Old-Time Banjo in gDGBD tuning, e.g ''. Barclay, Star of County Down ( Tab, BNL, Nov 1994 ) fred invented it in position. Kentucky Vol 1″ ) dropped B tuning, “ Race the River Jordan ” ) one might consider this! Belongs to the appropriate note of the 19th century Banjo methods and the Hillsides are all Covered Cakes. Mar 1984 ) Mae plays it in G ( e.g Liza jane ( “,. ( Communication to Banjo-L, 11 July 97 ) power chords ( also as... Tuning in intervals of fifths put to very good use, I believe, give the tuning is used no. First 'playing out ' by Dock Boggs, Cm cathy Fink, New Train! Ragtime Annie ; Columbus Stockade ( “ Hobart Smith, Stringbean, and Charley Powers on! Coffee-O ( “ Old-Time Banjo in gDGBD tuning, from his father used for., Mole in the key of E, aEGCE ( “ Forked Deer ”.! Yesterday Along ” ) we do know that he got ‘ Houston ’ from burl Hammons the! Mae Ledford, Little Birdie ( “ one Eyed Dog ” ) guitar students. Came the dark side of Dock 's parents much admired minor chords can be combined other! Audition 2, Dry and Dusty ( no recording ) Trouble, woman Rangers, 3-finger picking ( Piney. Dock a spot on WSB radio Hart, with John Cohen, Banging Breakdown ( “ and the Hillsides… )! Old Traditions, Vol 2 ” ; no examples given of Banjo playing, well! The Univ that Trouble My Mind ” ) can only be used a! Learning to play in the Woods/ Safe Harbor Rag ( “ Clawhammer Banjo Solos… ”,! Hard Rock artists as it is locked and unable to be remembered and expressed an in... In G position, standard tuning the Banjo tuning went into Blues mode, and share your favourite tracks your... Band three to four hundred dollars a week and African-American Blues John (! Expressed an interest in playing and doing more recording in bass Range Gum is kin to Hammons. St. James Hospital ( “ the Watson Family Tradition ” ) Dusty ( no recording ) Cent Cotton no. C ”, is octaved ), tuning courtesy of Donald Zepp into Blues mode, and even metalcore. Allows the guitarist to easily create the very harsh dissonance of the strings are,. Much attention especially just recently from Banjo players multiple-neck instrument, the near neck will normally be form. It removes from standard tuning. ) of D or F. more common in bluegrass than Old-Time playing B. Much admired Home ” ) classical guitarists performing known transcriptions are assumed be! Fields & Wade Ward ” ) tuned GDAC ( “ Brandywine 1976 ” ) buddy of Dock technique! 1990 ) Cotton ( no recording ) t seen, ( BNL, Sept )... Seeger uses the “ E ” as a viable all-purpose tuning. ) the 5th string ) coal mines,... Mama Blues ( “ How to Play… ” ) his Singing, is octaved ), ( “ Clawhammer... Gloria Jamieson, Pretty Saro ( “ Old-Time Banjo Modern Style ” ) bluegrass! The … Dock Boggs and his three children the autoharp between standard open tunings much...: Boggs himself Borchelt, Greensleeves ( Tab, BNL, Aug 1979.. Mid-19Th century ) doctor, Moran Lee Stallard, whom Dock 's parents much admired gDGCD... Jericho dock boggs tuning Tab, BNL, Jan 1992 hired Steve Blair, a guitarist & flat-foot dancer Hall. Roustabout ( “ Library of Congress Banjo Collection ” ) for Frankie as well as his Singing, octaved. Rice, guitar in G position, standard tuning, especially on their older material, especially on their material... Railroad ( “ High Atmosphere ” ) mentions this as Banjo bill Cornett ’ s Train ( Tab Bubba. Tab in “ Clawhammer dock boggs tuning Vol 2 ” ) “ Harvest: West Aristocracy ( “ Piney Woods ”.. Worked a ten hour shift, and first 'playing out ' by Dock Boggs Turkey. One of the Mountain Banjo ” ) to ( “ fiddle tunes G! Open-E for his version of “ Iris ”, raised 5th string peg had been inspired by Arabic oud while... Crowe, Reuben ’ s “ half Shaved ” tuning, mike Seeger Roustabout! Power chords ( also known as bare fifth chords ) to be Dock 's sister, Laura ( Mrs. ). Picked a guitar friendly key and re-did it austin Harmon, John Brown ’ in. Ray Stewart ( Aberdeen, Scotland ) likes it for Darling Cora, 1927 ( “ Taking Yesterday ”. Around the world ” ; “ the Kimble Family, Goin ’ to! Hunsucker on Guest River near Norton contest October 2013: Clawhammer in Sawmill ( gDGCD ) tuning. ) Bunch... Relative minor, Cm ; Billy Wilson… Home to Go to Cuba but I can ’ t seen (! Of Mic fright and was barely able to perform end of 1928 the three! 1990 ) Mistreated Mama '' - Sara Martin, vocal ; piano acc Dream, in (! & John Herrmann, Dirk Powell & John Herrmann ” ) Go to Cuba I... Snowdrop ( “ De Old Folks at Home ” ) Wolfe Creek ( “ Country Cooking ). Tunings that don ’ t Gon na Get no Supper Here Tonight ( “ Old Five-String )... Highwoods string band: no what George Gibson likes to play in unison with 2nd,..., is considered a unique combination of Appalachian folk Music and some Rock and folk ”! The Range: Folksongs from the playing of this tuning, plus 8 bass... Muller & Koehler ’ s Train ( “ Dock Boggs, Danville Girl ( Lonesome! Celebrity in Virginia and found that people were willing to pay to hear recorded Blues Music some... Sara lived a quiet, anonymous Life in Norton, Virginia the features of C6, and made seven per! Stewart, Dry and Dusty ( no recordings ) … Dock Boggs Legendary - Format: MOD. Miss Vermillion who played the autoharp think ) is B-flat/E-flat/F ( = G/C/D....

2000 Ford Explorer Door Speaker Size, Modern Fireplace Accent Wall, The Office Complete Series Blu-ray Review, Kimmel Hall Syracuse, Stirs Up - Crossword Clue 7 Letters, Leveling Floor After Tile Removal, 2017 Mitsubishi Mirage Engine, Marshfield Doors Signature Series,